Termin: Konzert: The KVB / QUAL / Mueran Humanos

The KVB
Blending reverb-soaked shoegaze with minimalist electronic production, The KVB's music reflected Nicholas Wood and Kat Day's mastery of atmosphere even as their sound evolved over the course of the 2010s. Early releases such as 2012's debut album, Always Then, dealt in brittle beats and sonic blasts that evoked Cabaret Voltaire and the Jesus and Mary Chain in equal measure, but the duo's style became more streamlined and sharp-edged on later efforts such as 2018's Only Now Forever. Formed in 2010 by singer/songwriter/multi-instrumentalist Nicholas Wood as a solo project, The KVB got started with a number of limited cassette and vinyl releases that included the single "The Black Sun" on FLA Records and the Into the Night EP on Downwards Records. Vocalist/keyboardist/visual artist Kat Day joined Wood in 2011, and The KVB released its debut album, Always Then, in 2012 on Clan Destine Records. The duo kicked off a busy 2013 with the release of its second full-length, Immaterial Visions, for the Minimal Wave imprint Cititrax that February, then followed it with a remix EP featuring contributions by Regis and Silent Servant that May; in November, a reissue of 2011's previously limited-edition cassette release Minus One arrived on Brian Jonestown Massacre mastermind Anton Newcombe's A Records label. The following year, the duo ventured to Newcombe's Berlin studio to track what would become the Out of Body EP, which A Records released later that year. This session marked the KVB's first recordings made outside of the duo's own home studio as well as the first time working with drummer Joe Dilworth, known for his work with Stereolab and Cavern of Anti-Matter. Wood and Day collected some of the more experimental output they recorded in 2014 on Mirror Being, which Invada released the following June. The duo continued to move in a more experimental, heavily electronic direction on 2016's Of Desire, which The KVB recorded with vintage synths from Invada head Geoff Barrow's collection. The Fixation/White Walls EP followed in 2017, and that year the duo also issued a remastered, five-year anniversary edition of Always Then. For 2018's Only Now Forever, Day and Wood took a freer, more independent approach, recording on their own in their Berlin apartment for the better part of a year.

QUAL (Avant! Records )
Lebanon Hanover's William Maybelline comes to present his solo project Qual. His darker, gloomier and heavier synth electro EBM sound. It has been clear from the start Maybelline always was inspired by the harsher sides of music. It touches on the goth, industrial and even the techno scene. Qual is welcoming a post-apocalyptic nuclear winter. With terror and restless chaos cometh the digital age condemned to be digitally transformed. Cometh hybrids, mutated humans a depletion of organics.

Mueran Humanos (ATP Recordings)
In 2011 the Mueran Humanos self titled LP was unleashed into the world by legendary industrial label Old Europa Cafe in Europe and boutique NYC label Blind Prophet Records taking them from small venues in Berlin to small venues all over the world.
Followed by some further singles; Culpable (Southern Records UK, 2012) and El Cìrculo (Vanity Case Uk, 2013), they got signed by ATP in 2015 for the release of "Miseress", their second full length album recorded in Einstürzende Neubauten’s studio Andere Baustelle in Berlin, featuring on five songs Neubauten’s own guitar player Jochen Arbeit, an early champion of the band.
Their highly personal sound and presentation - Carmen did all the artwork for the band - gave them a crossover appeal and they played big festivals like Primavera Sound, Corona Capital, Wroclaw Industrial Festival, Berserktown, Positive Education, Nrmal, Wave Gotik Treffen, Les Tres Elephants and Pop Revo, amongst others as well legendary venues in Berlin like the Berghain main room, SO36, and a session with Boiler Room at NRMAL Festival in Mexico and the Jake and Dinos Chapman curated edition of ATP. In 2017 they went on a full European tour with The Horrors for six weeks, hand picked by the band.

Die Corona-Schutzverordnung vom 23.09. beinhaltet ein 2G-Optionsmodell, mit dem wir Konzerte, bei denen nur Geimpfte und Genesene zugelassen sind, ohne Abstand und Maskenpflicht durchführen dürfen. Das Konzert am 30.10. wollen wir nach diesem Modell stattfinden lassen.
Es werden 200 Gäste zugelassen, was etwa 35% der vollen Kapazität entspricht. Am Einlass werden wir Nachweise über vollständigen Impfschutz oder eine Genesung kontrollieren. Bitte denkt an eure Nachweise und einen Ausweisdokument mit Bild.